The S.H.I.T.T.S Podcast
The S.H.I.T.T.S Podcast
Lazzey B Flow: Crafting Music, Events, and Community in Chicago’s Vibrant Scene
Lazzey B Flow, the dynamic artist, producer, and event curator from Chicago, takes us on his musical journey filled with creativity, resilience, and authentic experiences. From the early days at Habit Studio to leading successful events with Tomorrow Dynasty, Lazzey B Flow shares how serendipitous moments and influential figures like Ozlin Antonio have shaped his career. He emphasizes the significance of collaboration and community, drawing inspiration from Chicago's vibrant music scene to bring unforgettable shows to places like Naperville and Wicker Park. Lazzey also opens up about his creative process, detailing how he integrates new music into social media to expand his reach and connect with fans.
Balancing multiple roles in the industry, Lazzey B Flow gives us a peek into the life of a producer and emcee, highlighting the joys and challenges unique to each role. As a producer, he stresses the importance of music theory and the intricacies of crafting beats, while as an emcee, he revels in the singular focus of performing. Lazzey also discusses the art of event curation, sharing his passion for creating memorable experiences that turn strangers into friends and adversaries into allies. His insights into the logistics of event planning, from managing open mic lists to maintaining performance standards, offer a glimpse into the behind-the-scenes workings of successful events.
The conversation doesn't shy away from the raw energy and authentic vibes of the nightlife, where Lazzey thrives in the hip-hop scene. From the importance of DJs in energizing events and promoting new talent to the camaraderie and unspoken bonds in the club scene, Lazzey captures the essence of what makes music culture so powerful. Lazzey showcases how music and friendship create a tapestry of support and creativity. Join us as we explore the night out with fresh kicks, a crisp white tee, and the passion that fuels the spirit of the streets.
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Yo, what up?
Speaker 1:What up y'all? Welcome to the Shits Podcast. We're either shooting the shit, starting some shit, or picking up a shit left off. I'm your host, mon soons, to ride the coolest cat you heard thus far, aka dj booty rubber like no other. If you don't believe me, man, go ask your mother and man, you are not tuned in to the shits podcast and man, check it out y'all. Like I tell you all the time when we got very special guests to the podcast.
Speaker 1:Yo, I've been on this dude for for a while and he's a he's a really cool ass dude. Um, he's a very creative, uh good dude to talk, to chill out with in the studio. Uh, we've been to a couple of venues together. I didn't seem to perform. I I done seen him put shows together. So he's a very creative dude, very down-to-earth dude, and I want y'all to get to know him like I know him. You know what I'm saying. So, with no further ado, give it up for the artist, the producer and also the event curator, my man, lazy B Flo y'all. Yer, what up, bro? What's the deal, man? How?
Speaker 2:we doing, Mr DJ Booty Rubber.
Speaker 1:Yes sir, yes sir. How we feeling guy Long time no see man, man, like I told you before, man, the studio look nice, man, it looks nice.
Speaker 2:Hey man, thank you, Gratitude, man. I'm really at my homie's home studio right now. Okay, we'll cook it up some Yesterday we got an event happening today, type deal.
Speaker 1:Yeah, okay, yeah, and I want to get into that man, but before I get into that, I want to get into that man, but before I get into that, I want to let everybody know. If there's anyone out there and you feel like you need someone to talk to and you got some stuff on your mind and you just want to talk, there is a hotline you can call for crisis and free therapy sessions. The number is 708-524-2582. The number is 708-524-2582. Once again, the number is 708-524-2582 because everybody needs somebody to talk to. Y'all. You know what I'm saying. Also, shout out to GNMC, brandon Clothing. They got some dope apparel. Y'all make sure y'all check them out. So, hey, lazy, check it out, bro.
Speaker 1:So on the podcast, man, like, I like to check in with the guests and I know you're a creative dude, right. So a lot of times when I ask this question, people think like, uh, I'm talking about like, uh, like music or like books. But when I say this, I mean you Like what is pertaining to you. So what are you working on this week as far as lazy? What is lazy working on as far as this week?
Speaker 2:I got one or two shows happening next month, in March, and I'm focusing those so I can promote my music. So I'm trying to build those shows up, just so I can put my music in there.
Speaker 2:I'm really trying to build my fan base up. So this week I'm really going to be marketing and promoting the shows, but also including my music within the promotion. So you know how, on instagram, you could like put a song right on top of whatever you're doing. Yeah, I'm gonna drop a whole new song and then I'm gonna drop it right on a flyer and then like where we get emotion. You know, I'm uh, I'm affiliated with a few collectives, okay, and uh, a few of those collectives really like uh are wholesome, you know, and like we show a lot of love with each other and like it's very genuine in our collective.
Speaker 2:So like, I like to say like um, I want to reach out to them to see if I get the same feedback and maybe obtain a bigger fan base by including them into the songs.
Speaker 1:Cool, so also to to go further, to go a little bit deeper than that. What are you working on, like mentally and like as far as with you? What are you working on with that?
Speaker 2:So actually that's a great question because, as of lately, I've been a little too harsh on myself. You know what I'm saying. As of lately, I've been a little too harsh on myself. You know what I'm saying, mm-hmm. And mentally I feel like I'm in a place where I'm sort of drained and I'm overdoing my part just a bit, because you know I like to put a lot on my plate. You know I'm hungry, you feel me. So I like to put all these tasks on my plate and I like to try to finish it all. But knowing I would, knowing us as humans, we can't finish everything we put in our plate, sometimes because we might put too much thinking with our stomachs. So I want, like mentally, I want to just focus on, just like saying no, a lot more. Give it time to myself.
Speaker 1:Okay, I like that. I like that, like setting your boundaries you know what I'm saying Looking out for you, so for the people that don't know where you from, bro.
Speaker 2:Right now I'm from Chicago, Illinois Promosa Park. Okay, you know, lit in the middle of Chicago type beat you feel me Down near close to Humboldt Park, but in the middle of Vermont Cregan area. Okay, to Humboldt Park, but in the middle of the.
Speaker 1:Belmont-Craigan area. Okay, so do you think your environment has shaped the person you have become and, if so, how?
Speaker 2:My current environment or my childhood environment.
Speaker 1:Your childhood environment.
Speaker 2:Has my childhood environment shaped who I am today? Yes, it has, because those were like the stepping stones of who I am today. You know, those are like my learning, like the process of learning. I'm still going through lessons and trials and tribulations, but my environment when I was growing up is a big has a big say-so in how I live and how I walk today, because a lot of those things that I learned back then still stick with me to this day.
Speaker 1:Okay, like what.
Speaker 2:So you know, of course, you know your mama tell you to watch behind your ears. You always got to watch behind your ears. Things like that stick with me. You feel me Right. Uh, uh, depending on so my grandma always told me depending on how clean your environment is, shows on how clean your mentality is oh, that's beautiful.
Speaker 1:That's what I mean.
Speaker 2:Like till this day I feel like I can't work in an environment that's too crowded or too cluttered. Yeah, because like I won't have the peace of mind around me, so like I always need to be cleaning places around me, or like if I see something dirty, like I just got to clean it. I think it gave me OCD. I think my grandma gave me OCD with that one.
Speaker 1:That makes sense. I mean, I think I'm the same way. I definitely think I'm the same way. I think my kids hate it because I'm like I don't care if you drop a piece of the candy wrapper. Pick it up immediately, Like immediately, Immediately. Can you remember your first studio session, bro?
Speaker 2:My first studio session. First studio session. Yeah, yeah, my first studio session. First studio session. Yeah, yeah, my first studio session was with habits. He was a producer and he was an engineer at the time. He used to work at the chocolate factory over there on, uh, on cicero and augusta, okay you know, and bro just have a studio in there. But my homie jay oz well, so, like before I even went to that studio, I met up with my homie Jay Oz. He now go as Ozlin Antonio, but I met up with Ozlin and Ozlin had took me to Habit Studio and I did that at the time when I was like really pursuing music heavily and like the universe just spoke to me, like I was looking for music, I was looking for a studio, and Ozlin just so happens just to plop right in front of my lane of work. Yeah, hold up one second, what's?
Speaker 1:up, jojo, after your diary with that, is it okay if we can get something to eat? Yeah, joey, love you. Love you too, baby. I'm sorry, I'm sorry, I'm bad man. That last part, what was the last part, bro?
Speaker 2:So I met up with Ozzy, you feel me, and he had took me to the Chocolate Factory where I met up with Habits, habits and Momentum. Momentum was also a great engineering producer. They worked off F on Fruity Loops and we're all smoking. We all like link up. They're like, hey, you want to smoke, we all smoke. And they just like, hey, you record music, you want to like drop something? I'm like, yeah, forget it, I'm down, and I think the first song I dropped was. The first song I dropped was Damn. I think it was Voices. If you look on YouTube right now, you see Voices. I dropped Voices but like it was like a rough draft and then like after that. That's how they got me. You know how engineers be doing sometimes like here, we record a rough draft here and if you don't like it, you can take it home with you and work on it and especially when you're starting off in a game you don't know no other engineer, producer, you gotta go back to bro so they Like.
Speaker 2:You know you got to like, and especially when you're starting off in a game you don't know no other engineer or producer, you got to go back to bro so they instantly got me with that Exactly I instantly went back to them the next week and I recorded Voices again and that was like my second studio session. My first studio session was like a freebie. My second one, I paid like $70 for Okay, okay, who, okay, okay, who are. Both were great. Both were great experiences. I'm not going to lie to you. That's dope.
Speaker 1:That's even better. That's even better.
Speaker 2:Yeah, who are some of your musical influences, Some of my musical influences. Yeah, you know you got to, I repeat, a goat, you know, like Mac Miller X Peep. You know a few of the homies, astro Boy, walk From the Future. The list goes on. To be honest with you. Okay, a lot of people around me Walk From the Future. A guy, I ain't gonna lie, that's a goat right there. Yeah, he dope, he dope. His production is unheard of the whole tomorrow gang.
Speaker 1:Go crazy, I ain't gonna lie so, man, I'm glad you said that speak, so I know you from uh league champs, right yeah now you got so now the new crew is oh, oh, oh, so, okay.
Speaker 2:So, new crew uh, the new crew is tomorrow dynasty. Okay, as tomorrow gang. But uh, now, so like when I was with lead champs and them, that was like I was a intern, you for me, so like I was like sort of affiliated with them, but at the same time, like we all sort of went our separate way to do our own little thing, I guess Right, and um, I sort of, uh like, while I was like sort of finding myself, the universe bring Astro Boy and Walk From the Future to me at an event and uh, they proposed to me this, like this. To me at the time it sounded crazy, like outrageous. They're like, bro, we got this idea and we want you to be a part of it.
Speaker 2:Officially, they reached out to Rhymester about it. Okay, shout out, rhymester. But Rhymester had, like, directed them to me, yeah, and they, like, they told me they had this crazy idea. They, they told me they had this crazy idea. They want to throw a show and they want to bring the crowd from Chicago to Naperville and they think that this show is going to be the best show of the century and this brand is going to be the greatest. At the time. I'm not going to lie to you. I was buzzing, I was getting the buzz. I never had a buzz like that starting off in music, so I got a little big-headed. You get what?
Speaker 2:I'm saying so I waved it off. Like what are you guys talking about? Like it's like you're not going to do nothing bigger than what I'm doing. You get what?
Speaker 1:I'm saying Right.
Speaker 2:And like that was me being big headed at the time. But, as I like at first, I was like you know what, I don't knock down opportunity. I'm like all right, you know what, I'm going to give you a listen, but this is not going to be bigger than what I'm doing myself. You feel me Right? Boy, oh boy, was I wrong? Oh shit, boy oh boy, was I wrong.
Speaker 2:So we do our first show together and that show was two years ago in January. I got the date on my phone. I can't remember the date right now, but it was in January. We just had the two-year anniversary on the 10th or on the 13th, anyways, okay, no, no, on the 24th. We had the two-year anniversary this 24th of January. Anyways, that first show went bonkers. We had an Enjoy in Wicker Park and we had about like what, 80 people show up, 80 to 75 people show up. Everybody had a great time. We had mosh pits Like I never seen a mosh pit in Sub-T, I mean in Enjoy. When we had that mosh pit, you know, the owners of Enjoy were like we need y'all again. We're gonna book y'all every month, this, that and the other.
Speaker 1:That's dope.
Speaker 2:That's dope. We started getting a brand. After that it was a wrap. Like we started building a community within ourselves and like my ego started shrinking and I started realizing like it wasn't about me the whole entire time, it's about them. You feel me like so now. Like so now the collective is like me being one of the three founders because it's me. Walt and Astro. Astro, walt are the first two founders and I'm like the third person and uh, thank God, like thank you to Walt and Astro for like coming to me and making me a part of their like vision, because without them I wouldn't be a part of tomorrow, or like it is right now collective. Now I also got like a little like, like like side branch and it's called too good, too good, open mics, but like that's just like a stepping stone to get into tomorrow type deal, because we're building. It's getting big. I ain't no laddie.
Speaker 1:For sure I'm seeing the flyers man. I was at the event that y'all had. It's right around the corner from Sub-T. What's the name of that spot? It's like a pizza spot, oh you're talking about d-mode.
Speaker 2:Yeah, yeah, yeah, yeah yeah, that was no we uh, that, that, uh, that really wasn't an event, that was uh. So what we like like podcasts, little interviews before the shows. I sort of took note of how, like you were doing it back when you were with us in lead champs and ever evolved, because I know, like ronston, them came to like yo, we want to do this before the show, give interviews to artists, type deal. So I sort of I'm not gonna lie Demos because we want to give, like, love and acknowledgement to the shops around us instead of just one place by itself. You know, yeah and uh, me and my team just thought like we should do it. We should do it in like a different location every time, just so like we could bring traction to different locations before the show, just so those locations could also get love in that area. And then we're sort of creating like a branch just to bring everybody back to sub t and show love to sub t, and sub t loves it and we love it just as much that's what's up.
Speaker 1:That's what's up. I mean, one hand watches the other man you're doing like y'all doing something for the culture, y'all doing something for chicago and y'all doing something for Chicago and y'all doing something for y'all self and y'all brand man. Everybody winning. That's dope, that's super dope. Is it more of a challenge for you being a producer or being an emcee?
Speaker 2:It's more of a challenge for me being a producer.
Speaker 1:And why is that the producer?
Speaker 2:aspect is like it's a lot, Because I got to deal with the beats and I got to deal with engineering. When I'm just the MC, all I got to do is focus on one thing, and that's rap Okay. But while I'm an engineer, while I'm the producer, I got to do is focus on one thing, and that's rap. Okay. But like while I'm an engineer while I'm the producer I got to focus on like six different things and like clients and files Like nah. I like being an MC.
Speaker 2:I love being an MC, but it's fun being a producer. Don't get me wrong if you don't got the like normal responsibilities of one, if you just want to have fun. But if you got the normal responsibilities of a producer, you got to count me out.
Speaker 3:Jack.
Speaker 1:That's a lot Exactly Speaking about producing and being a producer. What do you think are some characteristics that every producer should have that would make them a good producer?
Speaker 2:Some characteristics. Some people should have to be a great producer. Study you have to study Like know your stuff. I don't care who you watch, who's your biggest inspiration. Study, learn music theory. Learn how to play keys. Learn music theory. Learn how to play keys. Learn how keys feel. There's a science to music that people don't understand and they want to be mainstream, but they don't understand the science to music, and the science to music is what makes you your own mainstream. Like there's keys have elements to them and you play certain keys together, they can give you a certain element and that's what makes you feel the way you feel, because your body is part of elements themselves. Like it gets, so it goes. Music is so deep and just like from one producer to another.
Speaker 3:Because I also produce beats and I'm doing it for fun now before.
Speaker 2:I used to do it for work, but not do it for fun. From one producer to every producer out there learn the science behind music, no matter what it is. That is what matters most. If you're trying to make great music as a producer, learn it. Learn music, okay.
Speaker 1:Okay, um, all right, so not necessarily switching topics, Cause it's still about you, um, being a, being a, an event curator. What is the greatest reward you have gained from being a curator to this point?
Speaker 2:Watching everybody have fun, enjoying everybody's happiness. When I throw an event, my goal every time is to make it an experience. Nobody forgets when anybody throws an event and this is to every event curator we are not throwing events, we are throwing an experience. We have to make sure this experience is remembered. People do not remember events because they're events. They remember events because they're experienced and because they were there in the moment, I agree, I agree.
Speaker 2:So like when I like, my greatest achievement when I throw events and when I see events happening is when I see everybody just having fun, like everybody, like two people don't even know each other, but they having fun together. I had cops that were mad as hell at each other. By the end of the event, they were hugging each other and drinking together. I'm looking like this is lit.
Speaker 2:And that's what keeps me doing events, because when you throw an event, you got to create an experience and a positive environment, because you don't want a negative environment that messes up the whole entire experience. You get me, I agree, I agree, and the fact that I could build that makes me happy. That's like my greatest achievement a positive and happy experience.
Speaker 1:That's dope, that's dope, that's dope. And it's like, just like you said, like seeing people have fun. Seeing people have fun and knowing that you are responsible for that In some shape, form or fashion, you are responsible for that, that's dope as hell, bro. That's dope as hell, bro, that's dope as hell. And when you said the experience, and when you said the experience, man, it's like when you can create memories for people, especially positive memories for people, that's some powerful shit right there, bro. That's some powerful shit. You know what I'm saying. Somebody, be like man, they be like man. I remember I went to you know what I'm saying Tomorrow Gang event and I met like three bad chicks you know what I'm saying and that shit stay in their motherfucking head, it's just in their head for a long ass time. You know what I'm saying?
Speaker 1:Hell yeah, they remember the first time they seen a certain artist man, and that shit is dope. What's the most irritating thing about curating events?
Speaker 2:The most irritating thing about curating events. I got to think hard about that because I usually have fun when I do these things. If anything becomes irritating, I plan on just leaving it alone and coming back to it when it's fun again. The most irritating I still have to deal with in an event is maybe setting up the open mic list and staying on time. I remember that shit.
Speaker 1:I remember that shit bro, I remember that shit bro, I remember that shit bro, for real, for real Bro, cause you be like oh man.
Speaker 2:So like, yeah, just like just staying on track with time and making sure everybody performs, cause, like I ain't gonna lie to you, I done got some DMs from people that have tried to threaten my life this, that and the other. Oh Lord, really, lord, lord, this, that and the other, oh lord, really lord, lord, lord.
Speaker 3:I thank the almighty that I'm, I'm, I'm a great human being damn thank him.
Speaker 2:Yeah, because like I was unorganized, like and that takes practice, like being organized like that doesn't just come because you're great, no, that takes time. Like you had time to get into that Me when I started show organizing I wasn't I was even close to organized Like I'm talking about you couldn't even walk into my room Right Type shit, you feel me, and that's outside of shows.
Speaker 2:So imagine how I was running dumb shows Ooh, terrible. But while running those shows, like, like, even though it's a tedious task, the more you do it and the more you rent you rent to repeat it the easier it becomes. So now I've become more like that. Even though it's a tedious task, it was a challenge and that that challenge gave me skills that I thought I never have, because now I'm pretty, I'm pretty organized. I got folders, files I never thought I'd be have.
Speaker 1:That's dope.
Speaker 2:That's dope and man you know what.
Speaker 1:It's a blessing, bro, because I've seen your evolution. Bro, you know what I'm saying. I was up in the studio when motherfuckers was in there falling asleep damn near on the couch in the studio, and you was in there bitch working you know what I studio and you was in that bitch working. You know what I'm saying. You was in that bitch working and then you were engineering somebody else's shit and then, probably like an hour, two hours later, you'd be dropping your own shit. So I was like damn this man working. And then to see you at the events, like at Magoo's and all that shit. Shout out to Magoo's too, man.
Speaker 6:Shout out to Magoos too, man Shout out to Magoos.
Speaker 1:Yeah, so that's dope. That's dope as hell. So you were talking about the open mics and shit like that, and we all know let's just keep it above. Well, open mics, anybody can get on and perform, and you know what. There may be a pro or there may be a con. You know what I'm saying. So, in your opinion, what do you think makes a performer whack?
Speaker 2:Rapping over your lyrics. Stop rapping over your lyrics you whack as hell.
Speaker 1:Okay, okay, I agree, I agree, I agree.
Speaker 2:Stop doing that. Stop, you feel me Like. What makes a great performer with the beat, without the backing vocals? To get on a tomorrow stage, you have to do those three things and that's what the two good open mics come in for Trials and tribulation.
Speaker 1:Okay, okay, okay. So y'all got a system. Y'all got a system going. What Hell yeah, we do yeah, and honestly, bro, like I feel you on that man, I hate when motherfuckers rap over their vocals. G, I fucking hate that man. I hate when motherfuckers rap over their vocals.
Speaker 1:G. I fucking hate it, man. I'm like damn. And then I be sitting there thinking how the fuck you rapping over your vocals and you still forget your shit. You know what I'm saying? Like nigga, the vocals is right there. Like how the fuck you forget them. You know what I'm saying? That's crazy as shit.
Speaker 2:So you see, yeah, I was just what's up. Go ahead. No shit, I was just talking to OG Black man the other day. Shout out OG Black man, brother, that's my man what you call him. He was just expressing to me Because, like I'm not going to lie to you, he's the one that made me realize rapping off your lyrics was lame. Because, I ain't going to lie to you. There was a few times when I did it and OG Black man got in OG.
Speaker 1:Black man got in. I think your connection is kind of messing up. We still here, we still here.
Speaker 2:You there, here we go. No, thank you All right, you there, there we go. Alright, so again, yeah, shout out OG, black man and Ratchet, cause they told me, like how you gonna perform a song you don't even know yourself right and like, and I understand artists that perform over their lyrics. You feel me like it's challenging but it shows how serious you are about your music. You feel me the time you take to rehearse at home, the practice you put in just to memorize those lyrics, that shows that you're a great artist.
Speaker 2:And if you can't you don't even put the time to do that. How do I know you're going to put the time into a show that we're throwing to actually make the show great? You know we don't only care about your crowd, we care about your performance, and your performance matters most to us Because it's your image.
Speaker 1:That's a damn good point. You know what? That's a damn good point and I think that I commend you for that because I feel like more, more curators and promoters should be stressing that shit to the people they put on their shows. You know I'm saying like I feel you should have a standard, you get. I'm saying like you should have a standard for your shows and people should know like for one. Like you said, don't come up here rapping over your vocals, fam. You know I'm saying like oh, fam. You know what I'm saying? Like uh, and nobody is saying that you're going to have to remember every fucking lyric. You know what I'm saying, because sometimes people fuck up but then you get creative and shit. The people that's in the audience don't even know that you fucked up. You know what I'm saying.
Speaker 1:A motherfucker once told me they said that when they fuck up, they get. When they fuck up, they rap into the mic. They act like they rap into the mic. You know what I'm saying. They purposely not saying nothing. They mouthing the words. They rap into the mic so they don't make it seem like the mic messed up. You know what I'm saying. But the whole time they fucked up. You know what I'm saying. So the thing is, the crowd don't think that these motherfuckers fucked up their lyrics. They just think that the mic is fucked up. You know what I'm saying. So I thought that shit was dope. I thought it was dope, we're renting out.
Speaker 1:Oh, what do you when planning?
Speaker 2:Hey, shout out bro, whoever had that idea, I'm taking that, I'm taking that 5% credit.
Speaker 1:Yeah, like, basically what you do is you just like stop talking, like you just start mouthing the words and you just act like the mic fucked up. You know what I'm saying, so you know people don't think you have to hear it. When it comes to planning events, what is more important? The DJ or the venue?
Speaker 2:Ooh, ooh, that's a tough one, dj or the venue? I ain't gonna lie to you. I ain't gonna lie to you. I ain't gonna lie. Depending, depending on you, me personally, I would say the venue.
Speaker 1:Okay.
Speaker 2:The venue, because the venue could itself have its own DJ or could play music itself. But I also want to say the dj, because if you don't got the dj, your show won't be ran properly.
Speaker 1:right, that's a tough one, gang, you got because you got a lot of like you like, like, I like, like, shout out, shout out to the djs that take their craft seriously and know how important they are. You know what I'm saying. Because, like, I look at those dudes and I be thinking, like they understand that really they the motherfuckers who run the show. Bro, you see what I'm saying. Like, the DJ is the motherfucker. The DJ is the life and the soul of the party. You know what I'm saying. So, like, if that DJ is playing dope, shit, everybody into it. You see what I'm saying, everybody into it. And nine times out of ten people staying, people sticking around. But if you got a whack ass DJ, shit, motherfuckers gonna come see the person that they came to see and they bouncing, you know. So that's why, for me, I would say the DJ All right.
Speaker 1:So True, we got this thing, man, we got this thing on the podcast. Man, it's called drugs. Man, I ain't got drugs on me right, man, it's called drugs. Man, I ain't got drugs on me right now, but it's called drugs. So, basically, man, it's four categories, bro, it's four events it's a dinner party, it's a house party, it's a pity party, meaning it's pretty much for losers. You know what I'm saying. And then it's a ditty party, which we already know what the fuck that is. So you said what I continue, continue. So I'm a name of drug bro. I'm a name of drug bro. I'm a name, a drug, and you tell me at which party would people possibly do this drug right? So you got a dinner party, you got a house party, you got a pity party, and then you got a ditty party All right, I got my cap All.
Speaker 2:right, you ready? I got to put on my cap All right, cool, yeah, I'm ready.
Speaker 1:The first one, meth.
Speaker 2:Diddy Party.
Speaker 1:Diddy Party.
Speaker 2:Weed.
Speaker 1:Dinner Party. My man Exactly, Uh Adderall.
Speaker 2:Petty party.
Speaker 1:Okay Uh, molly, dirty party. Okay uh, molly diddy party um crack pity party um coke, coke dinner party.
Speaker 1:I feel you, bro, I feel you. I feel you pass the peas and the lines. Bro, I feel you, I feel you Pass the peas and the lines. Yo, man, I appreciate you, man, I appreciate you participating in that bro, real shit, man. Yo, let people know, man, let people know how they can get in tune with y'all movement, let them know where the next event is going to be at, let them know where to find you on social media. All that Let the people know, bro, you down, I think you're freezing up. You got it. Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, we're still here. We're still here.
Speaker 1:This is podcast chillin. One man, lazy b flow on man Lazy B Flow. Yep, Yep, y'all. Make sure that y'all stay in tune with the Shits Podcast. Make sure y'all check it out on all streaming platforms. Make sure y'all check it out on Spotify, make sure y'all check it out on Apple Podcasts, anywhere that you get your podcasts. Y'all. Make sure y'all check out the Shits Podcast. And, yeah, support that you get your podcast. Y'all, make sure y'all check out the Shits podcast. And, um, yeah, support, tell a friend to tell a friend. We are still here chilling with my man, lazy B Flo.
Speaker 1:You said what bro? Yep, yep, we're still here. Yeah, you're freezing up. Well, I'm going to tell y'all like this while my man getting his stuff together, y'all make tell y'all like this on my man getting this stuff together, y'all make sure y'all get in tune with my man Lazy B-Flow Tomorrow Gang, because they promote shows all throughout the city. They give an artist a chance, they give an artist a chance to be seen, they give an artist a chance to be showcased and they help me build y'all brand man. So y'all make sure y'all get in tune. And, like I said, my man is. He's a producer, he's also an emcee and he also promotes shows and he's just a cool-ass dude. Y'all.
Speaker 1:You there ain't just a cool ass dude. Y'all you there. We still here. This is podcast. Hey, y'all, look, oh y'all, make sure y'all check out 2B's in the podcast that comes on Thursdays 6 o'clock to 7.30. It's home with Flo Smalls Radio Station. It's dope. You know what I'm saying, especially for the youth and man. Like I tell y'all, this week we like to do like, I like to incorporate music into the podcast and me, being a person that I am, I truly do believe that DJs are very important, very important. Djs are very important to the hip-hop culture. Djs are very important to the party. Djs are very important, period. You know what I'm saying. So this week in the mix session, it's my man dj shells. Y'all dj sales is super dope. So y'all sit back, y'all vibe out. Y'all check out my man dj shells. On the shits podcast, y'all, it's the shits tune in to the shits podcast.
Speaker 6:Let's go. It's your boy. Dj Shells on the ones and twos.
Speaker 3:Get familiar. I'm like cool, I can do that. Boo, Watch you on some shoes, Jimmy Choo, with a handbag too, Red up, baby blue, she gets a smile. She ain't used to this. Because she ain't used to this, I'm just laughing.
Speaker 3:Could have been a pimp the way I move my lips. I be speeding. Could have been a driver, the way I push the whip. You a. What Could have been a which if way you throw a? Cause this a major lick. He got bricks Plus his neck and icy and it matches wrist. Now it's like six. Told her hit his phone, Meet her in the whip. But he ain't go. But he ain't that slow. Say meet him at the store. I'm like cool, let him run his move, Do what he gon' do. Cause this the plot, Put him in the. I'll let it cook like stew. I grab my. I'll fit through a lot, but it's just how it go. But check the scope. If y'all lose one more, that's six to twenty four. Let me focus. Can't be zoning out. He pulling up now. He felt me pop. He ain't kidding. Now he in that push and stop that new point. It's good like a horse, but my teeth is like a fork. He got a rag, I get my teeth done cash at me.
Speaker 7:Sneak dissing on that crown bitch at me. What my bad bitches looking for at fashion of dress? And they ain't wearing no panties. Soap waist down, nigga when they at. I ain't seen a hundred bottles coming from the back. I don't work jobs bitch. I am a job. You don't like it? Take a hike, pay me for a sucker slop. I'm a rich-ass bitch with a attitude. Have it down for hours, do like your mama do. I don't work jobs bitch. I am a rich ass bitch with an attitude. Have it down for all of you, like your mama do. I don't work jobs bitch. I ain't in my job. You don't like it? Take a hike, pay me for a suckin' slop.
Speaker 3:I'm a rich ass bitch with an attitude. Have it down for all of you, like your mama. Do it. Make them give it up. It make them back back and spin racks in that lamb truck. I ain't got no time for niggas. I make them hold up when I walk past these hoes. Man, they nose up. Got a nigga from Cuba. Got more work than a tutor. Pussy wet. Make him die like a scuba. All plays. I rock Bramula. Who future? I don't work, charles bitch, I work Bitches. Got them on the ground. Fake profiles, fucking my picture.
Speaker 7:I don't work jobs bitch, I ain't much of. You don't like it. Take a hike, pay me for a suckin' slop. I'm a rich-ass bitch with an attitude. Have it down for an hour. You, like your mama do. I don't work jobs.
Speaker 6:Bitch, I ain't much of you don't like it. Take a hike, pay me for a suckin' slop. I'm feelin' good good, nigga, because I'm in Baton Rouge doin' my fuckin' thing, nigga. I'm feeling good good, nigga, because I'm in Baton Rouge doing my fucking thing, nigga. I'm out to make it a fanny nigga, like I'm gonna brush my fucking shirt. I'm pulling up at the club PIP, yass, tank on evil. All drinks on me, fresh kicks, fresh white tall teeth, fresh NFL hat, fresh bows with the crew. What's it? Niggas? Wanna hit me with the heat? Real, recognize, real, real, niggas. Don't speak, we'll be right back. I bet you won't. I bet you won't. I bet you won't. I bet you won't. I bet you won't. I bet you won't. Now we can dive when it's time to dive. I bet you won't.
Speaker 8:I bet you won't. When you need to get your money right, I bet you won't. I got the golly back and you need to flip me.
Speaker 5:I bet you won't. I bet you won't show them bitches. They ain't fuckin' with you. I bet you won. I bet you won't. What's the deal? You know what it is. Tell me how you feel on that kill.
Speaker 3:On them yellow pills rolling like a wheel Off the chain. I don't play no games, bitch. You know my name didn't?
Speaker 6:change Out my damn brain. Nigga, I'm insane. Take it easy, nigga. Like a beezy. Now I'm off the easy. Need a breezy who gon' pop the peasy. She gon' fuck the cheesy, for no, we'll be right back Right here, right here, over there, over there, over there, over there, where the real niggas at.
Speaker 7:Right here, right here, over there, over there, over there, what you gonna do, nigga, I'm the buzz and the weed and the bubbles in the field, the M-Y-S-T-I code bitch, the man right here. I ain't 90 through the 94, buffalo field. I ain't Dennis Rodman here and I ain't Holyfield. I ain't that damn man to see the same man after Apollo. I ain't that $298, 60 cent check from McDonald's, bitch. I'm the line through the teeth and the dot on the I. I'm the motherfuckin' crocodile tears when you cry. I'm the lightning and bad weather. I'm that dick on that bitch, on your girlfriend. Just, I ain't no hoe, I ain't no punk, I ain't no bitch, I ain't no fag, I ain't no something. I ain't no fag, I ain't no something. I ain't no trick, I ain't no stitch, I ain't no rag. I'm the twenty thousand, the pop every stop when I'm doing it. I'm the fire on the last brush. You make them say uh, ain't the same old, same ordinary, everyday rapper, bitch. I kill kennels. So I guess I'm that bastard.
Speaker 6:Where the hot boys at Right here, right here over there over there, over there, where the hot girls at Right here, We'll be right back, listen every day. Ice out Shawty, play, lights out. You know? Period, fresh comma. Your wife is my baby mama Mother woo, she's a good girl.
Speaker 5:What the Hold on everybody. Get your roll on your road. On, i'ma put on my hood I look fly, I look cool. That's my swag. This shit cool, I look fly, I look cool. I look cool, I look cool, I look cool. I look cool. I look cool, I look cool, I look cool, I look cool. 100 on the neck well, 50 on the stopwatch Staring at the diamonds, make you bust it.
Speaker 5:Baby Hopscotch over here to my spot Say she wanna party. I do it. Big baby, like my LRG, show the air, heart it when I'm feeling like a rock band 87 jeans and white tee. When on the block, man Jay is still rocking forces, still moving, chuck Taylor's killing IDR still groo' Locs on my face, but that's just the front. Take em off and show the hazels when I wanna stunt, get ya hot like a blunt rollin' up the best Fruity Pebbles. Got her hands rollin' up my chest Swimmin'. You don't wanna mess man. Touch my Thousand dollar bandana. Make you throw the white flag. Get into the whip game. I'ma have to brag Plain grain woman and swang bangin'. Make you mad man On my mama. On my hood. I look fly, I look good. Touch my swag.
Speaker 8:This shit cool, I look fly, I look good Yo child, it's Pete, I'm uptown right now I'm on my way to the West Bank to put a twist on this thing, y'all.
Speaker 5:Let's get it, let's get it, let's get it, let's get it, let's go.
Speaker 4:Oh yeah, oh yeah, oh yeah, oh it won't choppa stop, choppa stop, choppa stop, she choppa, stop, she choppa. She won't choppa stop. She won't choppa stop, she won't choppa stop, she won't. She wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she wild, she.
Speaker 4:Now. I came here to get it bought. I was there for no limit. You ain't ready, got the coffee milled up in the truck. You know it's tough. We the sound, we universal, and we got the gloves on.
Speaker 4:So put your hand up to your leg and touch the toes, bounce your booty up and down. Ooh, girl, there you go out your wall like a model. If you an independent woman, maybe I'm a holler. You got your half-gates nice with the clothes tight. You wanna shake it like a dog and do it all night, all night. Now I'm through no position. Can't get it right. Put your hands in the air, want to make it it's bottom, top of top. You know what I'm about? I wanna see you turn around and stick your booty out. Your booty out. It won't top top, top, top, top of style, top of style, top top. It won't top top, it won't top top, it won top top. We want top top, we want top top. We want top top. We want top top. We want top top, we want top top we want top top, we want top top.
Speaker 5:We want top top, we want top top. We want top top, we want top top, we want top top. We want top top. We want top top. We want top top, we want top top. We want top top. We want top pasta, pasta, pasta, pasta. All right then. All right then. All right then.
Speaker 8:All right then. All right then, all right then.
Speaker 6:All right then. All right, then I say ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya You're tuned in to the Shiz Podcast.
Speaker 4:Let's go Big money can I La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la. I'm sweating, I'm a hot nobody. Why y'all standing on the wall? Why the walls?
Speaker 8:When I kick somebody, fuck your body, kick somebody, kick somebody, kick somebody, fuck your body, fuck your body, fuck your body, fuck your body, fuck your body, fuck your body. Yeah, everybody, I wanna be my own. So now I can't do everybody, I wanna be my own. It's your boy, dj Shell. I'm gonna one, two, three, four, I'm gonna be your. It's your boy, dj Shell.
Speaker 8:For the one time, give me the milk, just a bottle to the front of the line. Let me fix my hair before I go inside. Hey, this is it gotta check this shit, cause you know they gon' block when I take this shit. Hey, this is it. They gotta make my ground. Give me life to the cloud. Now I can talk on the way. This your name, how we call the same and we'll get some pop. Take it right to the check. Orange, orange, orange, orange. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
Speaker 8:I'm too low and my fantasy's a half, with two bros on a blow-up plane. A society call I'm a bent-into-a-lex girl. Bring the talk On the day. It flowed short. It started taking it off. Took her to the VIP. She started breaking me off, said she knew I was a baller by my ice the ribs, so no way that I'll stop. Keep bringing the thrills. I'm a perfect boy, just like the goose I have. I see a magic. You know I'm gon' grab her. La Bay girl, will you add this note? Let me, boy tryna, do that dance.
Speaker 7:The new, new limit baby.
Speaker 5:Uh-huh, uh-huh, uh-huh, uh-huh, raps a beat. Oh, okay, this what we crazy? You got to rock, rock, rock, rock, rock, rock, rock, rock and do the beat round and roll, rock, rock, rock, rock, rock, rock, rock, rock, rock, rock, rock and do the beat round roll. Oh oh, baby, come on, we gon' rock it with it. Oh oh, baby, come on, we gon' hustle with it. Do the beat round, roll Big hockey with it, put your hands in the air, go, stop with it. Stop with it.
Speaker 8:Baby, come on, we gon knock it with it. Put your hands in the air, go pop with it. Call me the ghetto bill. Got the keys to the city. Hit the club for the girls looking pretty, big buds with them, little bitty waisties. Ghetto fab that looks like a waitress Red bone. The name was Sonja Roxanne Monika. Put it on ya. It ain't no limit to the change I got. You see the Bentley on the 20s in the parking lot, get a C and 3, that's all I need.
Speaker 7:Back it up, don't stop hit the floor, make it drop. Rock the boat, rock the boat, rock the boat, rock the boat, rock the boat, rock the boat, rock the boat. Left, right, left, right, left, right, left, right, left, right, left. Baby, I'm a little mama with it. Oh baby, come on, yeah right, yeah right, yeah right, yeah, boom, boom, baby, come on, you can vibe with it. Oh baby, come on, you can feel the objects, niggas talking shit, saying it's all about a dollar. Y'all holler, y'all holler, y'all holler.
Speaker 8:Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, low, swing, low. Then I'm headed to Marrero. The boys got power running them. Jps gotta make a dollar. Y'all holler, y'all holler, yeah, yeah, yeah.
Speaker 1:Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
Speaker 1:Yeah, we're now back at the Shits Podcast and right there that was the In the Mix section segment and that DJ was my man, dj Shells, y'all. So check it out, All the DJs out there. If you want your 8 to 10-minute mix featured on the shits podcast, you got to email the shits podcast mix. That's T, h, e, s, h, I, t, t, s, p, o, d, c, a, s, t, m I X at gmailcom. The shits podcast mix at gmailcom. Heyits Podcast Mix at gmailcom. Hey, make sure you include your name, where you're from and all your social media info. That's the Shits Podcast Mix. If you're a DJ and you're trying to get your mix featured on the Shits Podcast, y'all All right, I got to hit y'all with I don't know who need to hear this.
Speaker 1:So I don't know who need to hear this. But there's a difference between shouldn't and I don't want to, meaning people say things like oh, I shouldn't do that, but they don't say I don't want to do that. So you got to think about it. Think about the things that you're doing and you're not doing. Are you not doing it because society says you shouldn't do it or because you just generally don't want to do it. You get what I'm saying, and I'm not saying that to judge anybody. I'm just saying that for people to be more in tune with themselves. Think about what it is that you like. Think about what it is that makes you happy, because, at the end of the day, that's the goal y'all is for everybody to be happy. I don't think anybody wakes up in the morning and say I want to be fucking miserable. You know what I'm saying. You know what I'm saying. So, with that being said, I'm going to leave you all with this.
Speaker 1:Make fans, not followers. Trust the process. Do something that gets you out of bed in the morning. Have a passion. Definitely have a passion. Hold on for one second. I'm sorry. Hello, about what? Yeah, I got it All right. Yo, I'm sorry, y'all. My bad, I'm trying to take care of a lot of things. I got kids, goddammit, I'm sorry. Anyway, trust the process. Do something to get you out of bed in the morning. Have a passion y the process. Do something to get you out of bed in the morning. Have a passion.
Speaker 1:Y'all and yo follow the Shits Podcast on Spotify, apple Podcasts, anywhere you get your podcasts, follow them. Shout out to Joey Bryce, jalen, smoke Dog, mama, mark G, deca, durs, the Pig Pockets. My man Aloe. My man Big Tron anybody that supports the Shits podcast, I appreciate it. My man Bub G. My girl D-Delicious Y'all, make sure y'all keep supporting and staying tuned.
Speaker 1:Shout out to my man, lazy B Flo, for stopping by and telling us about everything he got going on. Y'all, make sure y'all check out Tomorrow Gang, if y'all in Chicago. They got shows going on all throughout the city and they're giving spotlight to local artists and up-and-coming artists. Make sure y'all get in tune with them. Shout out to my man, dj Shells, for that mix because he keep us moving and grooving. You know what I'm saying. Anyway, with that being said, I'm out. Y'all. Make sure y'all can find me on Instagram at the shits podcast also monsoons the raw, s-t-a-r-a-w. And Facebook monsoons the raw and TikTok the shits podcast. So get in tune with me and I will holler at y'all later. I am out and I am out and I am gone.